Module 2 explores many facets of American music. The early 1900s had a lot of technological
advances that changed the way music affected the American people. The transition from acoustic to electric
recording with the microphone provided opportunity for sound engineers to
manipulate sound. It also provided the
opportunity for performers to go about performing in new ways since the
microphone provided amplification. Some
singers did not change their “sound”, but the wider availability of music via
phonograph and radio provided more opportunity for the American people to have
access to all types of music. With that
being said, the listening examples from this week were quite varied even though
technology made hearing all types of music feasible.
“Dippermouth Blues” is a composition written by King
Oliver. This recording was done in 1923
and was one of the first examples of recorded music of the African American
jazz tradition from New Orleans. While
King Oliver got his musical beginnings in New Orleans, he moved to Chicago to
join another well-established ensemble on the south side. Louis Armstrong (also from New Orleans) moved
and joined the group in Chicago. An all
white band recorded “Tiger Rag” five years before “Dippermouth Blues” and they sound
remarkably different. “Tiger Rag” is
much faster than “Dippermouth Blues”. As
I listen to both of these pieces, there seems to be more feeling and finesse in
the performance of “Dippermouth Blues” than to “Tiger Rag”. In my opinion, “Tiger Rag” seems like more a showpiece
than to an exhibition of true emotion.
While both recordings have very accomplished musicians, it is clear to
me that “Tiger Rag” was meant to evoke sales rather than emotion. In stark contrast is Duke Ellington’s “East
St. Louis Toodle-Oo”. There is a very
different feel to Duke Ellington’s music than most other jazz during this time
period. His music has much more
sophisticated sound than the aforementioned pieces. His musicians have a warmer sound, and a more
detailed and musical approach to performing.
Contrary to everything discussed thus far, Tin Pan Alley
songs seemed to evoke more romantic emotions from its listeners. “My Blue Heaven” by Gene Austin is a very
easy-going song that is pleasant to listen to.
The piano, cello, and vocalist are all very calming. While the early jazz pieces mentioned in the
previous paragraph made me want to dance, this piece made me want to sing along
and envision a love story in my head.
There are clearly a number of different sub-genres occurring
within jazz during this time period.
Each has its influence on our current musical situation and are equally
important throughout the history of American music. Some musicians continued performing into
subsequent decades and their sound changed along the way because of the advances
in technology. Louis Armstrong is a
prime example of a musician that continued to evolve throughout his career.
No comments:
Post a Comment